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Alfredo Garcia


Who is Alfredo Garcia?

Alfredo Garcia is a film crew member of the 2012 film Here Comes the Devil.

  • nomination: - nominated to Ariel Award for Best Make-up - "Early and Brief Life of Sabina Rivas", with Carla Tinoco


Alfredo Garcia is a fictional character from the 1993 film Demolition Man.

Printed books with definitions for Alfredo Garcia

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Google previewJustified Lives (1993)

Morality & Narrative in the Films of Sam Peckinpah by Michael Bliss

Alfredo Garcia is a machine gun of a film that explodes in our heads while we sit there and laugh in the face of the chaotic universe that the director has portrayed. Ultimately, the insanity of such a response is the sanest reaction of all. Although ...

Google previewTexture In Film (2014)

by L. Donaldson

Alfredo Garcia is a film filled with sensory moments, for both characters and viewers.4The qualities of sensation brought aboutbythe film's world areamixture of violently harsh, grubbilyrevolting and substantially commonplace: the off screen ...

Google previewReligion in Film (1982)

by John R. May

Alfredo Garcia is a cankered and bitter, though eminently defensible, film. The Killer Elite (1975) is a routine project which never quite becomes a Peckinpah film; and Convoy (1978), which shows Peckinpah examining the mythical basis for ...

Google previewBring Me the Head of Alfredo Garcia (2012)

by Ian Cooper

Alfredo Garcia is a pointedly squalid film, where drink is an anaesthetic, violence is not redemptive and formal considerations like pacing, editing and lighting are secondary to this pervasive sense of waste. That, in the end, is what it comes ...

Google previewBorn in Flames (2007)

Termite Dreams, Dialectical Fairy Tales, and Pop Apocalypses by Howard Hampton

Alfredo Garcia is a tactile ode to the erotics of folly, but without the safety net of aesthetic distancing devices. The rich ...

Google previewSavage Cinema (2010)

Sam Peckinpah and the Rise of Ultraviolent Movies by Stephen Prince

Alfredo Garcia is a work of overwhelming negativity. It takes viewers on a trip through hell and creatively dwells in the spiritual netherworld of the film's main character. But Peckinpahfound a variety of aesthetic measures to ...

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