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American Movie


"American Movie" is a 1999 documentary directed by Chris Smith. The film chronicles the real 1996-1997 making of Coven, an independent horror film directed by an independent filmmaker named Mark Borchardt. Produced for the purpose of raising capital for another film that Borchardt intends to make, the epic Northwestern, Coven suffers from numerous setbacks, including poor financing, a lack of planning, Borchardt's burgeoning alcoholism, and the ineptitude of the friends and family Borchardt hires to staff the production team. The documentary follows Borchardt's filmmaking process from script to screen, and is interspersed with footage from both developing projects. American Movie was produced by Sarah Price, edited by Jun Diaz and Barry Poltermann and directed by Chris Smith. Filming for American Movie began in September 1995 and concluded in August 1997. The film was a critical success upon its debut and went on to win the Grand Jury prize for Documentary at the Sundance Film Festival, and has since gone on to become a cult film.

Printed dictionaries and other books with definitions for American Movie

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Google previewThe American Heritage Abbreviations Dictionary (2002)

A Practical Compilation of Today's Acronyms and Abbreviations

ambassador; ambiguous; ambulance AMC American Maritime Cases; American Mining Congress; American Movie Classics; antecedent moisture condition; Atlantic Marine Center AMCHAM American ...

Google previewThe Concise Encyclopedia of American Radio (2010)

by Christopher H. Sterling, Cary O'Dell

The cable network American Movie Classics presented an original comedyseries, Remember WENN, beginningin 1996.The show, setin Pittsburghduring theearly yearsofWorld War II, soon developed a fanatically loyal audience. In eachepisode the cast and crewofstation WENN struggled to create hours of ambitious daily ...

Google previewEncyclopedia of the American Novel (2015)

by Abby H. P. Werlock, James P. Werlock

Pynchon's narrativeis just aslikely to break into songanddance numbers from 1940s American movie musicals, vulgar "Rocketlimericks," extended scientific descriptions, lengthy historicalanalyses, disconnected dream sequences (one inwhichTyrone Slothrop takes a trip through the sewersof Boston in searchofhis harmonica, meeting, among others,Malcolm Xas ashoeshine boy), drugged confessions, sexual torture, and stoned arguments about the history and future of European ...

Google previewEncyclopedia of Television (2014)

by Horace Newcomb

American Forces Radio and Television Service American Movie Classics American Women in Radio and Television Americanization America 's Funniest Home Videos America 's Most Wanted Amerika Amos 'n' Andy Anchor Ancier, Garth Ancillary Markets Andy Griffith Show, The Animal Planet Anne of Green Gables Annenberg, Walter Anthology Drama Arbitron Archives for Television Materials Argentina ...

Google previewEncyclopedia of War and American Society (2005)

by Peter Karsten

American movie screens. After the bombing of Pearl Harbor on December 7, 1941, the government moved quickly to integrate newsreels, like other media, into the war effort. Direct censorship was not imposed. Instead, access to combat zones was restricted, and the Office of War Information (OWI) worked closely with newsreel companies to ensure that footage shown in theaters revealed no military secrets and was not harmful to civilian morale. Each of the five major newsreel ...

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American Movie

American Movie Critics

pretty good if you know what they're talking about. not as fun if you don't

Photo credit: marklarson

Quotes about American Movie

Maybe every other American movie shouldn't be based on a comic book. Other countries will think Americans live in an infantile fantasy land where reality is whatever we say it is and every problem can be solved with violence. (Bill Maher)
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